Toi

Toi
the philosophactivist
Showing posts with label decolonize. Show all posts
Showing posts with label decolonize. Show all posts

Thursday, November 20, 2014

Trans* Day of Remembrance/ Resistance/Reclamation


This is a speech I gave at City Hall in Austin, Texas last year. It is printed in the zine Philosophactivism 2 and can be found HERE.

Audio coming soon...

Trans Day Of Remembrance/Reclamation/Resistance
City Hall Austin,TX

November 20,2013

Survivin'




Tired of survivin’/strivin’/ bribi’n …you to see my potential/credentials/my mentals/tired of survivin’/strivin’/to stay alive when/some peeps got this privilege/and all I got’s my soul to give/never thought about sex work til the economy tanked and went bisserk/became comfortable in my gender/inhabiting spaces/places/you wouldn’t wanna be/havin’ brown skin and bein’ queer/you can’t see me/invisible/and divisible/my community -is…

tired of survivin’/strivin’/hard to stay alive when…all you ever hope for is to take another breath/that you don’t catch your death/no time to worry about cultural theft/bereft/of heritage/society’s no longer sparin’ kids/so why me? You buyin’ beamers a schemer with an HDTV and all I wanna do is breathe/some fresh air/eat food with no toxicity/complicity/you blame us for/but this capitalism is pimpin’ you/yep your the whore/and …my people…are…

tired of survivin’/strivin’/to stay alive when you got ends and wealth/but we have to live our lives in stealth and assimilate/to keep food on our plate/fork and knife/we get tired of life/strife/ all these signs/the confines/bein’ on the grind/ and you can’t see the injustice/ of the majority of brown men bein’ in the prison system/ and you pushin’ for the expansion of ‘isms/

DAMN I’m JUST tired of survivin/strivin’/to stay alive when all you can think about is amassin wealth and gettin benefits/when the only benefit I get is grime and grit/and my will to uplift/my people/to awaken sheeple and zombies/but you want to be wearin’ abercrombie/and handin’ us your truth/ while poisonin’ our youth…

Man I’ma survive/stay alive/fight with each breath til the day that I die/for justice/and the end to your privilege/and white-given birthright/til the day we all know we’re descendants of kings and queens/and our spaces reflect this/til poverty and inequality/we wreck this/check this…you got a powerful enemy…but if you wanna work through this you got a friend in me…cuz we will survive! And with each death we cultivate the will to stay alive/your foot won’t be on neck for long/ we’re gonna right all these wrongs/ this isn’t rhetorical/or metaphorical/ this sh* is going to end/the patriarchy, xenophobia, homophobia, racism, will fall…it’s up to us brown folks to pick up the phone …answer the call Get involved, get this sh* solved..we barely survivin’ but without comin’ together we can’t run…but crawl.

-----------------------------------------------------------------------------------------------------------------------------------


Tonight, I want to talk to you from a place of Power.


Perhaps many of us know that surviving….waking up day to day is a miracle in itself. It’s our resistance as folks who are found carefully tucked away or perhaps violently shoved into the margins. Some of us know it’s a revolution when we can still find ways to support others when we ourselves are finding it hard to smile or eat or sleep or make it through another day.

Trans* people of color have disproportionately higher rates of incarceration, unemployment, and homelessness. We receive poorer quality health care (if any) due to multiple levels of discrimination and we are often victims of police brutality, domestic and street violence. Transwomen of color are murdered at a much higher rate.

Victims. The media, grant writers and fund developers always paint us as victims…what about those of us survivors? What about us trans folks of color who are living, ordinary superheroes who sit invisibilized in this movement 364 days of the year? Resisting behind the scenes, at the frontlines of your movements but at the margins of your minds and policies, inching ever so slowly toward our liberation with the few organizations that exist that are willing to make our needs, hopes and dreams a priority- like allgo and the Audre Lorde Project, among a handful of others.


Now, I said I was going to talk to you from a place of power but it’s important to begin by giving the proper context for this state that we’re in now. It’s also imperative to actually name the institutions and systems in place that are constantly trying to render trans folks, and more frequently, trans folks of color, powerless. Such as the legal system, institutions of education, foster care agencies, law enforcement and immigration, health care institutions, etc. And lets be more specific- the people in these institutions, holding up these systems.

It’s important to acknowledge that race further complicates this picture we paint of transphobia. Skin color further limits access to numerous systems we now need for every day survival. And many behaviors and interactions displayed by individuals and groups within the LGBT and queer community further lead to us trans folks of colors’ subjugation, exploitation and dehumanization and make it harder, and many times, impossible for us to survive.


Now that you have that background from the poem and intro…


As a brown, genderqueer I’m going to tell you what I know of my ancestors…your ancestors…our Trans* and queer predecessors because I feel it’s important for us to know who and where we came from if we are going to move from surviving to thriving. It’s important for us to understand our legacy so that we can better understand our power and purpose.

Remembrance is a form of resistance.


So let me tell you a story. Not his story not her story…but OURstory.

http://www.dancingtoeaglespiritsociety.org/twospirit.php


First Nations Elders tell of a people who were gifted among all beings because they carried two spirits, that of male and female. Some say that these individuals were looked upon as a third and fourth gender in many cases and in almost all cultures they were honored and revered. Two-spirit people were often the visionaries, the healers, the medicine people, the nannies of orphans, and the care givers. They were respected as fundamental components of our ancient culture and societies not just in the Americas, also in South and East Asia, the Pacific Islands, Africa and many other places around the world.

Many tribes were aware of the existence of two-spirit, gender-variant people and many still have a name in their traditional language for them.

There were rituals that determined if a child was two-spirited. Children of both genders would also spend time with healers, who were often two-spirit people. A Two-spirit child’s childhood was marked by acceptance and understanding by the whole tribe. Two-spirit folks were known to be able to 'see' with the eyes of both biological men and women. They were often called upon to be healers, mediators, interpreters of dreams, and some devoted their lives to the welfare of the group.

Two-spirit, gender non-conforming, and gender variant folks were revered for centuries. We had the gift of prophecy. We were messengers of the Creator. Keepers and teachers of spiritual principles. We were called upon to conduct burials, bless unions and births, and perform many, many other important ceremonies. Prosperity and even existence as a people depended on us and we were considered sacred.

Because we had both maleness and femaleness/masculinity and femininity totally entwined in one body, we were usually presumed to be people of power. Because we embodied both Mother Earth and Father Sky, and held both a masculine and feminine heart within our souls…two spirits…we were perceived as having twice the power.

As beings that transcended gender, we were thought to be better able to be fair. We were thought to be able to see into the hearts of both males and females. We were called on to be mediators. We were seen as bridges. Mediators between two worlds- that of Spirit and the human world, as well as mediators between partners, tribes and nations.

In older world religions the gods and goddesses in-between genders were viewed as whole-gendered and balanced.

Some say that two-spirit people are an affirmation of humanity’s pre-gendered Unity, the representatives of a form of solidarity and wholeness which transcends the division of humans into men and women. A third gender.

When people operate from a dual gender perspective, upholding the gender binary, one can only imitate the behavior of one the given two genders leaving no room for authenticity for those of us who don’t identify with either of these genders.

Transgender and Gender variant folks transcend conformity and in this patriarchal society set on two genders and the dominance of one over the other, we pay the price.

European colonialism has had a harmful effect on many transgender traditions all over the world. Occupation and religion has erased and destroyed a lot of our history and we have been forced to assimilate into a social construction that does not work for us. Will we continue to perpetuate it at the expense of being usurped of our power?

We have to continue to resist being othered. Resist marginalization. Question those boxes that we were not born to fit in.

We have been awakening to our Truth. It is imperative for us to continue reclaiming our cultural and spiritual roots even though our histories and our ways have been suppressed or, in some cases, completely destroyed during colonization and assimilation. We must continue to resist. We must refuse to be erased. We have to assume our rightful place as teachers, healers, and leaders.

Though I am a Trans* person of color, I am not a statistic. Though this day is about remembering those who have not survived, I am alive and already fully aware of the hardships that we face, through my own life experiences. I don’t need to read articles or theorize about what barriers I face. I live this every day.

Allies who are listening. Allies who have been deemed allies by the trans community, if you want to be a better ally…if you want to “help” us…help us to rediscover our legacy. Help us to rediscover our spiritual inheritance. Help us to stand in our power. Programs and services are great but they are not about autonomy. They are not about sovereignty. Help us find ways to develop our own leadership skills and abilities so we can reclaim our place among the leaders and healers of today. Help us to celebrate our cultural roots. Help us to acknowledge our predecessors . Help us to create a more just and equitable world no longer based on the colonizer’s ideas of acceptable gender roles and presentation. Challenge and smash the binary daily with your actions and remember us every day…whether we’ve passed on or if we are alive. Remember us invisiblized survivors that walk amongst you every day.

Queer and Trans* family. Let’s lift each other up and support each other. We need to be in solidarity. We need to take part in community/communal healing as self-care. Not that covertly individualistic happy hippy kind. The kind where we are patient, acknowledge and honor our struggle and pain. We need to work through our internalized transphobia, internalized sexism, internalized racism and other types of oppression. We’ve got to respect our bodies and honor ourselves. Share our stories and histories and nourish each other’s spirit in good company. Audre Lorde once said that self-care was not a self-indulgence but a form of self-preservation which is an act of political warfare.

Self-care is survival. Self-care and community care is resistance. 

And we need to survive. We need to rediscover our power and reclaim our birthright. We are beautiful beings. Powerful beings.

And white queer and trans* folks, acknowledge your privilege in this movement. See that your brown siblings, are suffering and take action to help them take steps toward their own liberation and autonomy.

No one can live with ease while others suffer. There can be no liberation while anyone experiences subjugation or exploitation.


We queer and Trans* folks cannot know our own complete histories without acknowledging those of our siblings. We cannot be whole without realizing we are only a part of the whole. A drop in the sea.

Friday, December 6, 2013

Queer. Brown. Stories.


So...


Remember that play Genderqueer Files: La Qolectiv@ that had a dope reading this year in Austin at the historic Victory Grill with amazing community members?

Just to refresh your memories-

Genderqueer Files: La Qolectiv@ is a brown, genderqueer story of Rebellion, Resistance, Reclamation, Revolution, and espĂ­ritu/Spirit. A collective of brown, radical gender/queers find that to continue to protect and heal their community that they must discover their innate super powers tied to their indigenous spirituality and the wisdom of their ancestors.







And now you can buy Part 1 in downloadable "E-episodes" (a total of 3) for $9.99 (yep, 3 episodes in all for the Part 1) here.

I am selling these episodes to raise funds so that I can complete the Genderqueer Files: Qolectiv@ "novella".

(A novella is not as short as a short story but not as long as a novel). I will essentially be converting the play to novel format, for your viewing pleasure and I want to have it completed by February 1st.



The goal is that it will be available a few episodes at a time at indy bookstores, zine distros, college libraries and community centers, online, and hopefully...your home library! Eventually you will be able to purchase the whole sha-bang.


Here are some details:
  • There are a limited number (*51) of Part 1 available for a limited time. 
     *Sales for part 1 end 12/14. Episodes from Part 2 will be available 12/14. 
  • Email me at gqstreetpoet at gmail dot com for prices on printed versions. Shipping and handling will be added.


If you know of any bookstores, libraries, schools, gender studies departments, community centers or groups, etc who'd be interested in purchasing this work or having a workshop on it's major themes of race, gender, sexuality and spirituality please let a brown, genderqueer know!

It's difficult getting stories that are relevant to our experiences out there. Publishers are not trying to publish stories about resistance or revolution with all brown, queer characters so it's up to us to support each other in challenging the literary status quo and getting our stories heard.


                                                 


You may now return to your regularly scheduled program♥

Tuesday, July 23, 2013

RESISTENCIA: FINAL DAY OF FUNDRAISING


  
Me and TasZlin from Blaxploitation at my Book Launch/Benefit
What can I say? It's been an interesting ride this past month fundraising in various ways for Resistencia: Sangre.


Notes from an Afro-Genderqueer 2 Book Launch/Punk Show/Benefit at MonkeyWrench Books


These past couple weeks of the indiegogo campaign have been interesting. Crowdfunding can be a real challenge, especially when you are talking about race, gender, sexuality, ancestors and the reclamation of heritage, and sovereignty. It dawned on me that the very reasons I am writing this play- to talk about suppressed brown, queer history and resistance- are probably the very reasons that make raising funds for Resistencia: Sangre difficult. 



Liberatory art is in a league of its own. As much as folks want to be all "hip" and "in the know" and supportive of "radical" art, the truth is- it's got to look a certain way most of the time. And that look is not usually brown or queer. That look also isn't about dismantling systems of oppression and helping folks to find their innate power and work toward sovereignty.

When you use the word "anarchy" in a description- you can't use it lightly. It attracts a certain crowd. Right? It conjures up a certain image. Probably a white male with a mohawk, living in a housing cooperative on one of the coasts. Am I right? 

That's exactly why these brown radicals had to be committed to a similar philosophy. So that the audience can see that before anarchy was anarchy,our brown ancestors were committed to independence and freedom from colonization. Resistencia: Sangre will explore slave revolts and indigenous (Taino) rebellions and, though it is set in Puerto Rico, it's all of our story. This resistance happened all through the Americas and the history has been suppressed. In order to understand ourselves, our present and move toward the future we've got to understand our past. White allies included. Understanding our past and reclaiming our heritage is a form of healing and resistance.




So why are the main characters punks? Punks are white. Punks are racist. Punks are about fashion...they're not really rad. Some people may already be aware that punk music actually has some roots in Jamaica. Yep. Punk culture took its cues from rudeboy culture and rocksteady and ska music. During the 60s the Jamaican diaspora to the UK led to influence in fashion and music. The social and political commentary in punk music was definitely influenced by this Jamaican subculture...at least until it became black nationalist. Can't be white and influenced by and talking about black power...can you? Perhaps that's why some of the skinhead culture became neo-nazis and all about white power. Who knows. All I know is...I've seen brown folks in other countries talking about white power and heil hitler and I find it a little strange...but that's just me. Also, did you know there was an all-black punk band, called Death, that was around before the Ramones? 




There were also other influential black and brown punk bands in punk's early days who many don't hear about.




 




So, reclamation. Reclamation. Reclamation. 
It's a form of healing and resistance. No more suppression. No more appropriation. Resistencia: Sangre seeks to talk about our ancestors' resistance. It seeks to talk about present day resistance to the still existent colonial powers. The same colonization. This story is about decolonization in its deepest sense. It's about regaining autonomy and realizing our inherent power. It's about looking to our ancestors' struggle and healing all of our wounds.

So this is the final day of the campaign and I hope that those of you who are inspired or curious will invest in this liberatory art that will create some powerful dialogue about race, gender, sexuality, spirituality and so much more. 

Malcolm X said that the future belongs to those who prepare for it today. This is my contribution to that preparation and to a future where we know our histories of resistance and our capacity for justice and freedom today and in the future.

Here is the indiegogo campaign page:
http://www.indiegogo.com/projects/resistencia-sangre

EVERYONE who contributes will have online access to the play. For a $10 donation you'll get a 50% discount on the novel/play and for a love offering of $20 you'll get physical copies.
Will you be a co-creator and a co-visionary?

I want to give a COLOSSALTHANK YOU to these co-visionaries for walking with me on this journey:
                                           

Elisha Lim
La Loba Loca
Lizanne Deliz
Chelsea
Anika Fassia
Lisa Schergen
two Anonymous folks
Lotty Ackerman
Leila Plummer
Bunny Burrows
Markilous07
Angel Gonzalez

Shane Whalley
Isaac M.

Kit Yan

and offline contributors:


Kevin Thomas
Matt R.
Lyndon
Bob J.

and

All those from the Austin community and beyond who came out to the Notes from an Afro-Genderqueer 2 Book Launch and Resistencia: Sangre Benefit at MonkeyWrench Books.

and


BLAXPLOITATION
our very own awesome, local POC punk rock band












I am so moved by the support I've received from friends and created family and even folks who don't know me at all, but that believed in this vision. I have such appreciation for all the co-creators of Resistencia: Sangre and I can't wait for you all to continue on with me during this journey to creating a radical, liberatory, brown, queer play and novel about the reclamation of heritage, resistance to colonization, and rediscovering our inherent power as a community.

I'm leaving to Puerto Rico to begin my research and writing on August 8th. I'll be documenting my visits to taino villages, pueblos with people of predominantly African descent, conversations with professors, espiritistas and healers, farmers, independentistas, anarchists, students, and others. I'm so excited! If you'd like to be a part of the creative process of developing this play and novel please contact me at gqstreetpoet at gmail dot com.

Healing and Solidarity,

Toi

** Though the indiegogo campaign is finished, you can find out more and continue to donate at the Resistencia:Sangre webpage HERE**

Tuesday, July 9, 2013

RESISTENCIA

Hello, Hello

It’s been a few weeks since my last entry but for good reason. I’ve been artivisting, organizing and food justice-ing.  I’ve been helping coordinate a farm stand run by predominantly youth of color farmers in a marginalized community with limited access to food, protesting  and calling for the closing of the Polk Detention Center in Livingston, TX, protesting the assault on women’s reproductive rights here in our state capitol, organizing with other brown, holistic healers here in Austin to address wellness in our community, and last but not least… finishing up Notes from an Afro-Genderqueer 2 and starting an indiegogo campaign for my upcoming radical, queer play centered around  activists, musicians and independentistas in Puerto rico called Resistencia: Sangre!





Here’s the scoop:

Resistencia: Sangre takes you, the co-authors, deep into exploration of Afro-Boricua and Taino identity and spirituality while also exploring liberation- Puerto Rican independence and anarchy. We follow a group of radical, queer independistas involved in Puerto Rico's underground movement and music scene who are interested in the dismantling of the current exploitative system and the collective liberation of the island's People. The group find out that their current story is the continuation of a much older story told in a parallel by their ancestors and predecessors.


About Resistencia: Sangre


In Resistencia:Sangre you'll listen to the silenced voices of Afro-Puerto Ricans, Tainos and their ancestors through the story of queer musicians, organizers and visionary community members committed to their liberation. While searching for their own autonomy and independence they stumble upon suppressed histories, tragedy, triumph and Truth.




                                                                             


Cancilio Taino Guatu-Ma- Cu

'    

The Characters:


A few of the main characters are part of a punk band, some are anarchist or anti-government , some socialist, some anti-capitalist, some are organizers and activists, some are artists, some are community members and visionaries, and a few are not political but one things for certain, the majority are about ending decolonization, "the Struggle", and their oppression and reclaiming theirbirthright: Freedom.

There will be scenes with their African, Taino, and even Spanish, ancestors and scenes with anarchist, feminist, and other radical and powerful predecessors. And the play will integrate the following themes...


Main themes:


  • Liberation
  • Independence/Interdependence
  • Autonomy/Sovereignty
  • Trans and Queer identity and injustice
  • LGBT/Queer Rights
  • Afro-Puerto Rican Identity-*in spanish, see above link for english 
  • Taino (indigenous) Identity
  • Land rights
  • Environmental Justice
  • Economic justice
  • Gender justice













I'm super excited about the birth of this play as all of these themes contain elements of my personal history and I know that you, too, will be excited and satiated by the outcome.


Why Resistencia: Sangre is important


This play is all about reclamation and resistance. For far too long, we've been denied our histories and forced to forget our roots and expected to assimilate. Afro-Boricuas and Tainos, especially those inhabiting queer bodies, have a rich history of political and cultural radicalism that is seldom told. Weaving together the stories of characters that embody contemporary countercultures, feminist and anarchist historical figures, and African and Taino ancestry, Sangre: Resistencia will help us uncover the more hidden side of the Island's rich culture of dissent.



Reclamation is healing. Healing is resistance.



Who is Resistencia: Sangre for?

This isn't for broadway or fancy, inaccessible bookstores with coffeeshops in fast gentrifying areas. This is for the People. I want to bring this to queer communities of color, our families, friends and allies.

Sangre:Resistencia is meant to inspire dialogue that recognizes the significance of incorporating our spiritual roots, cultural ancestry and political heritage into our collective struggles to create a world free from exploitation.

While Sangre:Resistencia focuses on a specific group of Black and Brown Puerto Ricans, the themes addressed within are relevant to peoples of all racial/ethnic identities who are engaged in a struggle to dismantle oppressive hierarchies of power and reclaim their humanity.

Indigenous, Australian (Murri) artist and activist Lilla Watson once said:

"If you have come here to help me, you are wasting our time. But if you have come because your liberation is bound up with mine, then let us work together."


Our liberation is bound up together. And as Martin Luther King, Jr. said:

"Injustice anywhere is a threat to justice everywhere."

When we listen to each others' stories we begin to understand the complexities that have led to our oppression, our roles in the oppression of others, and what it will take as a larger community to heal from and transform a system based on suppression, invisibilizing, and invalidation.


Just as it took hundreds of years of careful crafting for this ridiculous system to dominate the world, it will be a slow process to dismantle it.

It starts with compassionate and transformational dialogue and blossoms into strategic action.


I know I'm sick and tired of being sick and tired...aren't you? Good! Please contribute to a liberatory play and novel about the by, for, and about the People!

Yes, YOU!



What's Needed to create Resistencia: Sangre

  •         Airfare - Roundtrip Austin- San Juan=   $350
  •        Lodging- $40-60 (avg $50)/nt. (hostels,paradores, etc) @ 10 days ~  $500
  •         Transportation  (cheap rental car -$200/wk, bus, metro) = $300

   (to Taino villages, pueblos of predominantly folks of African descent, University of PR campuses to speak with professors, sustainable farms and farms ran by women-"agro-mujeres" and visits to other sustainable projects, major cities: San Juan, Mayaguez, Ponce and mountain villages)
  •         Gas $200
  •         Food   $200
  •         Emergency Funds $250
  •         Fees charged by Indiegogo and Paypal- $200



Total: $2,000



What You'll Receive


As a co-creator of this work here are the amazing perks you will receive:

$5- Shout outs on the Afro-Genderqueer and Genderqueer Street Philosophactivist webpage
$10- above PLUS a shout out in the novel and play
$20- above PLUS a copy of either the novel or graphic novel and monologues from the play.
$50- above PLUS you get to name a character!
$100- all above PLUS you get to name the main characters' band or select scenes!
$250- all above PLUS a chance to contribute your art (poetry, drawings) to the novel and play
$500- All above PLUSautographed everything
two copies of play and novel
free tickets to closest show for you and your friends/fam
$750
- All above PLUS you get to help construct a scene in the play!
$1000- Everything above PLUS
invitation to special AreĂ­to (ceremony),
invitation to pre-show
invitation to pre-release of novel.

YOU are truly an integral part of this work! Let's build this together.


The Impact


It's not easy to fund brown, queer liberatory art projects. There are few plays produced by and centered around queer people of color that are addressing similar themes with the intention of co-facilitating discussion and workshops around personal healing for collective liberation. You can contribute to this and be a part of the R/evolution.

Every single dollar toward this work is important and I can't wait to collaborate with those of you who are interested in collectively creating this story.






Can't Spare the Change? Here are Some Other Ways You Can Help

  •        Get the word out on facebook, twitter, tumblr, and even beyond social media! Please share this page with anyone and everyone!
  •         If you know of any community spaces, theatres, classrooms, etc. that may be a great place for this work, please get in contact with me so we can make it happen!
  •        If you'd like to be involved with production, readings, or artwork for the novels, please contact me: gqstreetpoet@gmail.com.


When Will We See The Fruits of Y/our Labor?



I'd like to have a first draft of the play done by 2014 and a draft of the novel by May 2014.

But have no fear, I'll be blogging about my time in Puerto Rico and giving monthly updates on the play and writing process regularly between now and March and I'll be releasing scenes online for all who are interested in how Resistencia:Sangre is developing.

 

 











Thank you all for your support! Let's do this!




Wednesday, May 22, 2013

Oppression and Austin: Drag Performance, Racism, Misogyny, Transphobia



I'm almost certain that a number of folks of color may have seen a drag show where a white queen may have appropriated someone else's culture. I'm not sure if I'll call it "inevitable" but I'll say that it seems to be a fundamental part of drag culture. Women putting on kimono's, acting out the part of black women like Whitney and Aretha and maybe even Selena or Shakira. In comedy routines folks may even play the part of trans, sex workers or immigrants.


What's wrong with that? Drag is all about being campy, right? Maybe folks were being political? Anyways, art shouldn't have to answer to anyone...


In Austin, TX after two back to back incidences over 100 queers came together in a town hall meeting for a discussion on drag performance and anti-oppression.


The community conversation took place due to two drag performances portraying race and gender in, what some deemed, a very problematic way. One is actually a character, named Christeene, who is a trans, sex worker who, some believe to be portrayed problematically. The other performance happened on Cinco de Mayo and was called Sequin de Mayo and involved drag performers dressing up as cholas. The fliers had cholas behind bars on them.




Here is the letter that helped spark the discussion.


Here's a brief summary of what went down in our "anti-oppression" discussion which had over 100 people:


Description:


"Does political correctness divide the queer community? What are the pitfalls of oversensitivity? What are the pitfalls of accusing others of oversensitivity? How can our performances unite our community? How can our performances hurt or oppress members of our community? How can we productively answer these questions together?

Recently, there has been a lot of debate, discussion, and disagreement about queer performance practices (drag, music, etc.) within our community. This event is an opportunity for us to gather in the same space and address concerns that affect us all. The hope is that, by having these conversations, we will reach mutual understandings that benefit all of us in the queer community of Austin. EVERYONE is welcome and encouraged to attend: whether you have a lot to say, or aren't sure what to think; whether you perform all the time, or have only been to one show. Or maybe you've never been to a performance and you're just curious about what's going on in Austin's queer community."


Facilitators:


Matt Richardson, Assistant Professor in English and African and African Diaspora Studies

Juniper, an organizer anti-oppression facilitator


Format, Contract and and Working Solutions:





Town Hall update report:

So...I muscled through being mispronouned (the guy apologized 3 times afterward...but it still didn't erase that I had told him my pronouns as part of the intro exercise and he STILL got it wrong in front of over 100 queers or that I will be mispronouned in the community til I die...possibly).[aside: a guy called me "she" in front of the whole queer community when my pronouns are they/them or he/him or more preferably, Toi]


The anti-oppression conversation in a room of predominantly white queer folks was...interesting. Though I would say that we QPOC did establish critical mass. We heard a lot of perspectives. No Jerry Springer stuff popped off and, for the most part, everyone listened to the experience of those 1)who felt empowered by drag performers and 2)those who were hurt at some point by racist things that drag performers had done in our community. Drag performers also talked about their own personal experiences with their art.

I think it only became problematic when folks started saying it was our (POC's) job to come to the table and asking what they could do to fix this (though we QPOC and allies had already said it wasn't our job minutes before).

Other problematic points happened when a few performers said that no one should change their art and that they should be able to represent other cultures if they had good intentions...and a brown person gave license to folks dressing up as cholas but to be the "best chola they could be".


I particularly liked statements by Las Krudas...especially Odamayra when she said it wasn't her fault if white folks thought that their cultures were too boring to portray on stage.

I also liked when folks mentioned that if these (white) folks were so down, why didn't they show up when it was mainly QPOC performing and support in that way instead of "inviting" us or trying to be more "inclusive" in their (predominantly white) spaces.

I hope the conversation continues but I learned in Brooklyn while being concerned about "integrating" mostly white queer radical spaces that that's not what I'm here to do. I am more concerned with helping folks w/in our (POC) community heal from oppression. I am not to be tokenized. There is too much healing to do and I know that white folks need to do their own work with other white folks. (And yes! There are other white folks doing this work:
http://www.antiracistalliance.com/whiteness.html ) And many, many more groups exist that you can google...instead of asking a POC person!

You know, there was one (white and 1/? Native American?) lady who cleared at least 3 QPOC out of the room (and shut down I don't even know how many) because she kept saying hurtful things during her 3 minute schpiel during the discussion. She was crying and saying the system wasn't white folks' fault and asking how could she help us (POC). Folks kept getting up and walking outside to the designated safe space and she even acknowledged this as she talked. Afterward she went into the safe space outside to track down the people who had left to ask what she had done wrong and how she could fix it and telling them that "we" (QPOC)want to be heard but that them leaving the room wasn't going to fix it.



                                                                          W.T.F.


Sigh.Sigh.Sigh. Odamayra also mentioned that it's interesting how all these folks will show up for something like this...but not to build or support anything political (immigration rights, unemployment, etc.).
All in all my assessment is that it was a good step for this community. Folks from the community came up with a list of solutions...there's an email list to set up a way to continue the conversation.There's already a scheduled anti-racist conversation. Sure, folks mingled long after the forum. But...I'm skeptical about what will come from it. I snapped my fingers and clapped my hands at more comments than I tried not to roll my eyes at. But...have I seen this before? Time will tell...I am grateful to the organizers who took a lot of heat and the facilitators for jumping on the skillet and roasting a little bit during 2 1/2 hours of dialogue. They kept composure and made sure this epic (for Austin) dialogue happened in a "civilized" manner.

Click here for one of the organizer's perspectives.

Of course there are still ripples of conversations happening online which are catty, negative, ridiculous, racist and are denigrating what happened the other night. Of course there are.

You see, here's the thing...

Visible queer culture in Austin is largely white. Don't believe me? Visit QueerBomb on June 1st and check out the demographics. That's not to say that there aren't brown queers here. Oh we're here. We have our bubble...we have our own events like the Puro Chingon Social club which hosts the Free and Queer Cinema, and allgo (our statewide QPOC non-profit org) puts on all kinds of workshops, plays by Adelina Anthony, D-Lo, readings by Tim'm West, and holds space for us marginalized and underrepresented in the "larger queer culture" of this not so liberal or progressive city that still thinks they're "weird".


Weirdly conservative despite what they think...wish...hope.


True Counterculture in Austin is brown...

The counterculture here is truly those Q/POC and allies who meet for potlucks in each others homes, and create events like Artivism--


a QPOC poetry event featuring poet activists/artivists and political poetry, and carve unlikely spaces for themselves among the hippies, hipsters, and blind conservatives. 
The truth is- it's really easy to be deemed as liberal and progressive "for the South". Austin holds on to this image of being so avant-garde so tourists will come and maybe even stay awhile. But this doesn't mean that this city or ANY city who proclaims to be progressive is actually progressive. It's all relative? 
Yea. I suppose.

The saving grace of this city is that it is a college town and that the university is (usually) progressive. (At least the brown people and allies there keep it that way) 

 UT Austin has events like Abriendo Brecha





which is designed to bridge the gap between academia/scholarship and social justice work.

There's also the John R. Warfield Center for African American Studies where the awesome QWOC professor Omi Osun Joni L. Jones can be found breaking down barriers, talking about movement and reclamation, and writing her books,plays and poetry.

Deep down however...there is a dark history of segregation starting with laws passed in 1928. Check out the East Austin Gentrification Timeline


There is still housing, employment, and health care discrimination based on race and socioeconomic status. And it is so deep and continues to be written into policies. Oh that's everywhere...you say? It's inevitable, you say...

Oh see, I thought that's what made cities that are liberal and progressive different. I thought they were supposed to be hip to these issues and be set on doing something about some or all of them.

So many times I hear white radicals and hippies talking about institutional and structural racism and patriarchy and the importance of anti-racism and such but rarely do I see much being done about it in a substantial manner.  It's just something cool to talk about with your friends at the coffee shop that was built in what used to be a brown neighborhood until the city wanted to "revitalize" the place which added to displacement, harassment and violence from increased law enforcement against black and brown bodies. But that's good because now there will be all these businesses pumping money into...well oops...not the neighborhood. But ...they're good for the community...ooops...not the "old community". But boy those new homes and "community markets" sure look great...don't they? Oh no..they are getting too suburban and the prices are getting too high so on to the next neighborhood with their privilege and mobility in hand! Don't like it POC...why don't you just move, too?


Because being poor is expensive.




Because the poor are considered a "risky" investment gas, groceries, interest on your house, credit cards, loans, etc. are more expensive.


Why am I saying all this?
Because the queer community is a microcosm of this macrocosm. Things are actually exacerbated when multiple identities and oppressions collide. When a person embodies multiple marginalized identities (queer, brown,female,etc.) and they are part of a "larger community" that fails to see how a performance or an event perpetuates cycles of structural racism (because of the unearned privileges they've earned due to their white skin) it's kind of hard to empathize with their "art" or "movement" or continue to see folks as "radical" or "progressive". And even harder to believe that this "pushing of boundaries" is designed to be transgressive or political. Campy becomes just another way to perpetuate stereotypes. 


This is a great article on that sort of thing.


Just because a person is brown...


And I find it necessary to add that just because a person is brown doesn't mean that they are not invested in white supremacy unconsciously or consciously. We are all dealing with internalized oppression and the color of our skin does not guarantee that we are not perpetuating the oppressive cycles that we have been socialized to take part in and perpetuate. It is really hurtful to our Q/POC communities when a person from our community co-signs onto racist/sexist/transphobic events because they haven't checked what they've internalized or given any sort of analysis to the performance/event. 



Art is art...

Some will say- But art is art. Artists don't have to be held accountable...artists don't need to be responsible. Art doesn't always have to be political.


And I'll say...we Q/POC will continue to hold you responsible and accountable for racist bullshit. We are tired of racism and sexism being perpetuated all "for fun". We are tired of you being able to sleep at night after you've wounded several in our community. We face this every.single.day. And while it's not your duty to make us feel comfortable...it's not our duty to keep you feeling comfortable either. 


As soon as you decide to appropriate or exploit, it's considered political. Whether you want it to be or not.

And we are going to call you on it. And we are going to keep calling you on it until you get that it's not ok to exploit, appropriate and expect us to assimilate into what you deem as entertaining. You keep doing your thing...which is exactly what being privileged and entitled is about...and we'll keep being "angry" and brown and calling you on it. 


These anti-oppression conversations that are popping up around the country are extremely important because they are an attempt to unravel the fabric of a country which has been interwoven with racism, xenophobia and sexism. Don't worry- it will be transformed and restitched. But no...you won't be able to hold on to your oppressive views and get away with it under the guise of "artistic freedom" or "just having fun". You can look at your fellow white artists and ask the token brown one to cosign that your art is ok...but you and I both know that it's not. Never was...never will be.


I know it sucks that now you'll have to think about everyone you may be wounding with your art. But you know what's worst? Being born into a racist system and dealing with racism and other types of oppression on a daily basis in the media, health care, your job, school,etc. and being invisibilized, tokenized,  or told that this oppression doesn't exist or is just for entertainment purposes. Take that shoe and wear it for a while...and then come back and say "art is art" or ask Q/POC to teach you about their pain and what to do to heal it or call us angry because we won't tolerate it anymore...especially within a smaller queer community.


The time has come for queers perpetuating oppression to be called out and for people to be held accountable...plain and simple. This isn't new. It's been happening since the 70s and maybe even long before. But our voices are even louder now with social media and our allies. 


So, instead of expecting folks to re-assimilate into an ancient model that works for the few, it'd be best to just succumb to decolonization and become an ally or just a better human being for it.


This is not POC's work


Though I've written about this here and here
I'd like to reiterate that this anti-oppression and decolonization work, if you're white, needs to largely be done with other white folks.  It is not my job to help anyone "slum it" for a day workshop or help you understand yourself and your place in this system better. Why? Because along with that comes the expectation that I will suck up or invisibilize my own pain to make you feel better. I've seen many an anti-racist workshop that had white folks in tears and brown folks tending to them and telling them they are not a bad person. And you're not. Well I don't know you...but I assume you're not if you are reading this particular blog or have been referred to it by some awesome friend of yours.


The thing is, we as POC have been trained to hide our own feelings and deny our own experiences of pain and put white folks' first whether it's at our jobs or in other daily interactions. It's residual from slavery and I dare you to analyze your everyday interactions ...I mean, really scrutinize them, and see where you can see this taking place.


So yes...it's not POC's work to educate. We have our own internalized oppression to heal from and we can't heal you from yours simultaneously. Though, we can be compassionate and be a part of larger conversations like the town hall meeting that happened the other night. But remember, some people left wounded and that's why folks might opt out of these conversations. This should be respected. All anti-oppression work, of course, must have a foundation of compassion, respect and understanding and it may take some time to get there...


but we will get there. 

Paso a paso...one step at a time.